Showing posts with label Broadway League. Show all posts
Showing posts with label Broadway League. Show all posts

Saturday, November 01, 2008

Broadway Begs FCC: "Please Don't Take Away Our Horrid Head Mics!"

But what horrible thing would happen if actors actually had to project? Anyway, here is a press release I received yesterday:

THE BROADWAY COMMUNITY
URGES THE FCC TO RECONSIDER RULES
THAT COULD SILENCE LIVE THEATRE

“Can you hear me now?” is NOT what the audience wants to hear actors say on stage


Actors wear wireless microphones that transmit on frequencies soon to be compromised by consumer devices. Without publishing proposed rules and allowing public discourse, the FCC, pressured by leading technology firms, will vote on this issue on November 4, 2008: Election Day. The FCC’s own engineers’ report demonstrates that the technology in place to prevent interference is ineffective.

The Broadway League has asked the FCC to refrain from voting to approve new devices that will transmit in the “white space” radio spectrum, currently occupied by wireless microphones. Wireless microphones are an essential tool of the live performance industry, used in the daily operations of countless theatres and non-profit performance venues, sports arenas, and concert halls across the country.

These comments were filed in response to the FCC’s announcement that it will vote on an order potentially opening the white spaces to portable internet devices employing spectrum sensing technology intended to prevent interference with wireless microphones. However, a preliminary review of an FCC engineers’ report issued on October 15, 2008 demonstrates repeated failures of spectrum sensing to recognize wireless transmissions. While regulations that include reference to spectrum sensing technology would rely on unproven technology, the FCC may forge ahead and adopt new rules without allowing interested parties any prior opportunity to ensure the Commission took adequate steps to address the needs of all wireless microphone users.

Theatres in urban areas are at particular risk because the complex radio environment is beyond any measure of control. Not only is the quality of the performances at risk, but also the safety of all who work in these venues will be compromised. Accordingly, sound engineers will have no way to locate or report the source of interference should a portable device disrupt a live performance.

The Broadway League believes any action on this issue is premature. However, should the FCC go forward with new regulations at this time, they strongly urge the Commission to recognize incumbent white space users and, at the very minimum, employ basic protections to address the needs of Broadway. The Broadway League has been working with theatres across the country to help get the message to the FCC of the many consequences of a hasty decision. This week it also reached out to the Commission with an ad campaign (see attached) to help bring attention to the serious situation this premature vote creates.

The New York City Council recently adopted a Resolution urging the FCC to open a formal comment period on its engineers’ report before putting the issue to a vote and to allocate sufficient channels for current wireless microphone users.
Representative Carolyn B. Maloney echoed the City Council’s sentiments and said, “The FCC should not be trying to rush this decision out the door this way in the closing days of this administration without adequate public comment. This action puts the theatre industry at risk.”

Nina Lannan, Chairman of The Broadway League, commented, “Broadway contributes more than $5 billion to the City of New York and generates the equivalent of 44,000 full time jobs. We must be assured that these devices work, not only for Broadway, but also for theatres across America too. Touring Broadway productions help infuse the nation’s economy with over $3 billion annually.”

Tom Viertel, Producer, stated, “Our industry relies on clear, consistent wireless microphone transmissions. The Broadway Unions and Guilds have joined forces with us to demand notice and opportunity to be heard before any further FCC proceedings because our jobs and lives are on the line. Many groups, including the National Association of Broadcasters and Sports Technology Alliance, also oppose the FCC’s actions which threaten their ability to conduct businesses and employees’ livelihoods.”

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Tuesday, September 09, 2008

As for That Bootleg YouTube Video You Love, AEA and the League Are Watching You

This is a really terrific, if not especially revelatory, Washington Post article on the problem of bootleg Broadway videos on YouTube and what, if anything, the unions, the Broadway League and media mega-corporations are going to do about it, or can do about it.

It's excellently written and while it doesn't make me want to sneak my camcorder into a theatre (actually, I don't own one), it doesn't make me feel guilty about cruising YouTube and another of my favorite sites, BlueGobo.com.

And don't worry, the powers-that-suck will find a way to profit from this conundrum, too.

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Thursday, May 29, 2008

Want Some End-of-Season Broadway Statistics?

You can get'em right here, courtesy of the Broadway League. Personally, I think a chorus of "Don't Cry For Me, Charlotte St. Martin" would be pretty much in order.

The Broadway League Announces 2007-2008 Broadway Theatre Season Results

The Broadway League has released end-of-season statistics for the 2007-2008 Broadway season, which began May 28, 2007 and ended May 25, 2008, showing a slight decline in both paid attendance and grosses.

Thirty-six new productions opened on Broadway during 2007-2008 (eight new musicals, one musical return-engagement, four musical revivals, 11 new plays, and 12 play revivals). This compares to 35 new productions (12 new musicals, five revivals, 11 new plays, and seven play revivals) in the previous season.

Paid attendance and grosses dropped slightly in the period ending May 25, 2008, in large measure due to the 19-day Local One Stagehands work stoppage that shut down Broadway in the fall of 2007.

1. For this 52-week period ending May 25, 2008, paid attendance at Broadway shows was 12.27 million, down 0.2 % from last season (12.3 million).

2. Broadway shows grossed approximately $937.5 million, compared to the previous season’s record of $938.5 million (includes estimate for “Young Frankenstein”).

League officials estimate that had the strike not occurred, all-time records for both box-office grosses and attendance would have been set with an estimated $975 million in grosses, and 12.9 million tickets sold.

"While we are disappointed that we didn't exceed last year's record-breaking season, we are confident that in the coming season, with such big name shows on the horizon as Billy Elliot, Shrek, West Side Story and Equus, to only name a few, that we will have the best season in recorded history," commented Charlotte St. Martin, Executive Director, The Broadway League.

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