The Clyde Fitch Report
The nexus of arts and politics.
Blog Archive
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2009
(191)
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March
(51)
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February
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January
(74)
What Is a Critic? The Daily Gorilla Goes Ape
What Bloomberg's Plans May Mean for the Arts
Arts Advocacy Update, LXXIV
New Review: Cornbury: The Queen's Governor
New Review: The American Plan
The Afternoon Report, January 28, 2009
John Updike, 1932-2009
A New Review of Historic Photos of Broadway
New Article: Torch Song Trilogy
Says Penthouse-Crazy Mark Martinez: If I Go Down, ...
When Will the GOP Crank Up the Democrat = Pro-Abor...
The Return of Broadway Bears
Got Brains? Einstein Tuner in Concert, Benefit for...
So the GOP Wants Obama to Succeed?
From the Blogroll VII
Are You Going Subterranean?
The Theatrosphere Welcomes TheaterJones.com
A Penthouse Tale
Arts Advocacy Update LXXIII
More Evidence of Bush's Treasonous, Impeachable Be...
On the Unremitting, Unmitigated and Unbelievable F...
New Review: The Cherry Orchard
New Review: Pal Joey
New Grant Opportunity
The Afternoon Report, January 21, 2009
The Fate of The Village Voice
The Afternoon Report, January 20, 2009
Producers File Grievance Against Jeremy Piven, But...
What is a Leader? One Off-Broadway Producer Doesn'...
The 44th President of the United States
From the Blogroll VI
Arts Advocacy Update LXXII
The Chicago Reader to the Huffington Post: You Suc...
Mayor Bloomberg Loves Freelancers, Hates the Marx ...
The Afternoon Report, January 15, 2009
Vineyard Theatre Release Details of Benefit Honori...
Alliance for the Arts Releases New Study: "Culture...
Happy New Year -- The Media Economy Is Still Tanking
The Afternoon Report, January 14, 2009
Photo Call: Donde Esta Pedro Mano?
Mark Shenton Makes Me Hunger for London Theatre an...
The Perils of Reflexively Begging Governor Paterso...
The Afternoon Report, January 13, 2009
Shrinks and Thespians to Gather
Does Jill Dobson Think Harvey Milk Was Just a Poli...
Journalism May Be Suffering, But Young People Stil...
The New York Times to the Atlantic: Kiss My Grey P...
Stritchie Gets Feted at "Love 'N' Courage"
Tom Horgan, 1926-2009
New Review: Becky Shaw
An Israeli-Palestinian Joke
From the Blogroll V
SF's Magic Theatre, Near Fiscal Ruin, May Not Disa...
Goldman Sachs Sees Real Estate "Mega Crash"?
TRU Offering "Producer Boot Camp" for the Three Th...
Want to Quantify How Bad the Media Layoffs Are?
Arts Advocacy Update LXXI
Theatre Is Dead and So Are You
Sign the Petition to Pressure Obama to Create a Se...
From the Blogroll IV
The Economy is Even Screwing Over...the Porn Industry
Put These Together: Chapter 11, New York Times
Does the Village Voice Have Laryngitis?
Are Michael Bloomberg and "Cynical" Synonyms?
The Afternoon Report, January 7, 2009
Should Arianna Huffington Ask Everyone to Speak th...
Gene Frankel Theatre Says, "Watch Us Make a Festiv...
The Afternoon Report, January 5, 2009
You're Not a Member of the Drama Desk?
Want Some Obama Drama?
Have a One-Act? Want it Produced?
Ever Wanted to Know About Getting Into the Edinbur...
Fox News, Fox Forum, The Strategy Room and More
Happy 2009
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2008
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December
(61)
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November
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October
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September
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August
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July
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June
(39)
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May
(39)
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April
(50)
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March
(35)
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February
(43)
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January
(62)
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2007
(326)
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December
(48)
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November
(57)
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October
(20)
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September
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August
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July
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June
(55)
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May
(28)
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April
(18)
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March
(7)
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2006
(5)
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November
(4)
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October
(1)
Fitch Pitches
A Poor Player
Adam Szymkowicz
Adaumbelle's Quest
Adventures In and Out of Mainstream Media
American Theater Web
Americans for the Arts' Arts Blog
Arts Marketing
Artsy Schmartsy
Between Productions
Blank New World
Blogomatopoeia
Butts in the Seats
Christopher Heath
CollisionWorks
Createquity
Critic-O-Meter
Culture Bot
Curbed
DC Theatre Reviews
Dilettante by Mike Daisey
Doric Wilson
Eco Theater
Everything I Know I Learned from Musicals
Extra Criticum
Fact Check
Flux Theatre Ensemble
Flyover: Art in the American Outback
Fortress of Jason Grote
Full Force Theater Musings
Gasp! by Laura Axelrod
Gladwell.com
In the Theater of One World
In the Wings
Interchanging Idioms
Jamespeak
Jen Ryan's Brain's Blog
Jeremy's Greenroom
Just Shows to Go You
Kampfire News
Ken Davenport
League of Indie Theaters
Lies Like Truth
Lou Harry's A and E
Media Matters
Mic Command
Mirror Up to Life
Mission Paradox
Moxie the Maven
Mr. Excitement News
Nonprofit Law Blog
Noticing New York
NYTheatre Mike
Off-Off-Blogway
Off-Stage Right
On Chicago Theatre
On Theatre and Politics
One NYC Stagehand
Parachute of a Playwright
Perfecting Our Union
Playwrights Foundation
Punch 59 Comedy Blog
Queens Crap
R.B. Ripley's Ripped
Rat Sass
Raven Snook's blog
Red, White and Blog
Reflections in the Light
Resources for Emerging Arts Leaders
Sasha Dichter's Blog
Save Marx Brothers Place
Scrappy Jack's
Sheila Callaghan's Blog
Show Showdown
Silicon Alley Insider
Slow Learner
So What's Your Point?
Splattworks
Stage Matters
Steve on Broadway
Stolen Chair Theatre Co.
Storefront Rebellion
Superfluities Redux
Thank You! Next?
That Sounds Cool
The Critical Condition
The Hub Review
The Humble Nailbanger
The NYtheatre i
The Playgoer
The Wicked Stage
Theater Jones
Theaterboy
Theatre Ideas
Theatre is Territory
Theatre North Carolina
Theatre Notes
Theatre, Culture, Politics & Stuff I Like
Theatreforte
Visible Soul
What's Good/What Blows in New York Theatre
Clyde Fitch?
Leonard Jacobs
View my complete profile
Monday, January 12, 2009
Tom Horgan, 1926-2009
R.I.P.
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