The Clyde Fitch Report
The nexus of arts and politics.
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New Podcast: Mike Daisey, How Theater Failed America
New Review: Thurgood
Alicia Hurley of NYU Amasses Her Troops
Another Way to Consider How NYU Plunges a Knife in...
Gotta Love Her
New Review: The Country Girl
Arts Advocacy Update XXXIX
New Review: Cry-Baby
New Review: Our Town (the opera)
NYU to Demolish the Provincetown Playhouse? How Yo...
DEAR NYU: YOU WILL NOT DEMOLISH THE PROVINCETOWN P...
NEW YORK UNIVERSITY TO DEMOLISH THE PROVINCETOWN P...
New Review: The Walworth Farce
Did You Ever Want to See All the Numbers from the ...
The Ignition of the Drama Desk Hysteria
A Marx Brothers Place Update!
How Hillary Can Win
Robert Falls Has a Bold Plan for the Goodman
This Talkinbroadway.com Policy Surely Doesn't Appl...
On Ken Davenport and Comping
Someone Give John Heilpern a Passport?
Follow Up to the Hillary Post
On the Nonexistent Cartilage Between LA Theatre an...
Hill, You're Going to Lose
On the Truthiness of the Drama Desk and Certain In...
New Article: Untitled Mars (This Title May Change)
Broadway Goes Green for Earth Day
The Crimes of NYU President John Sexton
New Review: A Catered Affair
Arts Advocacy Update XXXVIII
The White Barn Theatre is Saved!
In Tears at the Casa Rosada, Tricia Walsh-Smith si...
An Interview with Mike Daisey
Google Maps and Marx Brothers Place
50 Thoughts on Theatrical Criticism, 16-20
Arts Advocacy Update XXXVII
New Review: Fire Island
RIP: Madeline Lee Gilford, 1923-2008
Arts Advocacy Update XXXVI
Arts Advocacy Update XXXV
Paging Judith Hawking
A Republican I Could Vote For
On Internships and Arguments at Dramaturgy.net
New Review: Democracy in America
New Review: Marcy in the Galaxy
And We're Back
Is He Dead?
More on the Efforts Toward a Marx Brothers Place
This is What Three Days in Louisville Can Do to You
New Review: 32nd Annual Humana Festival of New Ame...
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Fitch Pitches
A Poor Player
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Save Marx Brothers Place
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Tuesday, April 29, 2008
Gotta Love Her
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