The Clyde Fitch Report
The nexus of arts and politics.
Blog Archive
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2007
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The Last Post of 2007
Did Jack Mackenroth Slam Self-Important Christian?
Invitation to a Mudsling
New Profile: Bob Saget
New Review: Beckett Shorts
50 Thoughts on Theatrical Criticism 6-10
Simply the Best Video Christmas Card Ever
New Podcast: The Year in Review 2007
Choreographer Michael Kidd 1915-2007
New Reviews: Doris to Darlene: A Cautionary Valentine
My New Monthly Podcast
Arts Advocacy Update XXIII
The Visual Art of Tommy Tune
NEA Funding Rising, Potentially, By the Biggest Pe...
Rob Kendt Takes Down Hilton Als
Watch a Patriot on the FISA Bill
Are You a Sissy?
Benefit: Alive in the World
Does New York City Need an Architectual Overhaul?
New Profile: Theodore Mann
New Review: The Homecoming
New Review: Trumpery
Nytheatre.com Announces its People of the Year 2007
He Ain't Heavy, He's My Historicism
Thoughts on Aaron Riccio's Thoughts on Theatrical ...
50 Thoughts on Theatrical Criticism: 1-5
Here's a Great Idea for a Play
Raising the Conundrum of an American Theatre
Led Zeppelin
Givenik.com, You Nudnik
New Reviews: Is He Dead?
The Terrible Irony of the Boy Scouts, Homophobia, ...
A West Side Story Reunion
What We Need is Young Blood
Arts Advocacy Update XXII
The Way the Winds Are Blowing
New Review: The Shakespeare Riots: Revenge, Drama,...
The Casual Casuistry of George Hunka (Updated)
New NEA Grants Announced
Did Ben Brantley Give a Smackdown to Aaron Sorkin ...
The Death of the Critic, Updated
The "Production Values" Question
Two Openings
Cherry Lane Mentor Project Announces...Mentees
New Review: Queens Boulevard
New Review: Cymbeline
Summer Play Festival Goes to the Public
Busker Alley -- on the Queen Mary II
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November
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October
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September
(17)
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August
(39)
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July
(37)
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June
(55)
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May
(28)
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April
(18)
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March
(7)
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2006
(5)
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November
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October
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Fitch Pitches
A Poor Player
Adam Szymkowicz
Adaumbelle's Quest
Adventures In and Out of Mainstream Media
American Theater Web
Americans for the Arts' Arts Blog
Arts Marketing
Artsy Schmartsy
Between Productions
Blank New World
Blogomatopoeia
Butts in the Seats
Christopher Heath
CollisionWorks
Createquity
Critic-O-Meter
Culture Bot
Curbed
DC Theatre Reviews
Dilettante by Mike Daisey
Doric Wilson
Eco Theater
Everything I Know I Learned from Musicals
Extra Criticum
Fact Check
Flux Theatre Ensemble
Flyover: Art in the American Outback
Fortress of Jason Grote
Full Force Theater Musings
Gasp! by Laura Axelrod
Gladwell.com
In the Theater of One World
In the Wings
Interchanging Idioms
Jamespeak
Jen Ryan's Brain's Blog
Jeremy's Greenroom
Just Shows to Go You
Kampfire News
Ken Davenport
League of Indie Theaters
Lies Like Truth
Lou Harry's A and E
Media Matters
Mic Command
Mirror Up to Life
Mission Paradox
Moxie the Maven
Mr. Excitement News
Nonprofit Law Blog
Noticing New York
NYTheatre Mike
Off-Off-Blogway
Off-Stage Right
On Chicago Theatre
On Theatre and Politics
One NYC Stagehand
Parachute of a Playwright
Perfecting Our Union
Playwrights Foundation
Punch 59 Comedy Blog
Queens Crap
R.B. Ripley's Ripped
Rat Sass
Raven Snook's blog
Red, White and Blog
Reflections in the Light
Resources for Emerging Arts Leaders
Sasha Dichter's Blog
Save Marx Brothers Place
Scrappy Jack's
Sheila Callaghan's Blog
Show Showdown
Silicon Alley Insider
Slow Learner
So What's Your Point?
Splattworks
Stage Matters
Steve on Broadway
Stolen Chair Theatre Co.
Storefront Rebellion
Superfluities Redux
Thank You! Next?
That Sounds Cool
The Critical Condition
The Hub Review
The Humble Nailbanger
The NYtheatre i
The Playgoer
The Wicked Stage
Theater Jones
Theaterboy
Theatre Ideas
Theatre is Territory
Theatre North Carolina
Theatre Notes
Theatre, Culture, Politics & Stuff I Like
Theatreforte
Visible Soul
What's Good/What Blows in New York Theatre
Clyde Fitch?
Leonard Jacobs
View my complete profile
Monday, December 17, 2007
New Review: Trumpery
In the
New York Press
(slight typo soon to be fixed).
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