The Clyde Fitch Report
The nexus of arts and politics.
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Should This Be An Ad?
Arts Advocacy Update LII
A Fourth Review of "Historic Photos of Broadway"
New Review: [title of show]
Who is Aldo Roma? Courtesy of Punch59
New Review: Ralph Fiennes in Samuel Beckett's "Fir...
New Interview: Elaine Szewcyzk, "I'm With Stupid"
A Radio Interview -- With Me! -- About "Historic P...
Photo Call II
Photo Call I
You may say that I'm a dreamer but I'm not the onl...
Arts Advocacy Update LI
New Review: Kicking a Dead Horse
Alicia Hurley, Complicit in NYU's Campaign of Lies...
A Third Review of Historic Photos of Broadway
Estelle Getty, 1923-2008
New Reviews: A Roundup of DC Theatre
From the Brilliant Mind of Mark Cabus?
Another Blog Review of My Book: American Theater Web
A Blog Review of My Book -- Historic Photos of Bro...
The One Thing About Second Stage Theatre's Acquisi...
This One Goes Out to Andrew Barrett
Pondering the Clay Tablet
Arts Advocacy Update L
Welcome to Mark Blankenship's The Critical Condition
New Review: The Marriage of Bette and Boo
Sprecher, Forlenza Birth Global Broadway
Queens College, The Actors Company Theatre Birth N...
Arts Advocacy Update XLIX
Sweatin' to Sondheim II
A Moratorium on Shakespeare?
Kudos to American Theatre Web
In Case You're Still Asking "What's the Demolition...
Did I Neglect to Mention That I Met Zev Valancy?
Sweatin' to Sondheim
Back from the O'Neill and What Do I Get?
You Don't Understand the Demolition Review Amendment?
Welcome to the Web, ArtsySchmartsy.com
To Those Who Have It In for Howard Blau
Councilwoman Melinda Katz: Head, Meet Tuchas
Welcome Back, Senator Kennedy. God Bless You.
Those 93rd Street Developers Finally Get What They...
New Interview: Senator Mike Gravel
Arts Advocacy Update XLVIII
New Interview: Professor Sidney Offit
New Review: Stitching
My Book Is Out
The Coming Mike Daisey-Teresa Eyring Smackdown?
The Trickle of Marx Brothers Place Endorsements (a...
Sen. Jesse Helms, 1921-2008
MTC Gives American Playwrights Commissions
Random Musings and Responses
Ken Davenport's Rant About the TKTS Booth
New York University: Oasis for Money-Grubbing, Nei...
New Review: Cirque Dreams: Jungle Fantasy
John McCain's Double Talk Express
A Post, A Plea, and a Request from Jonathan West
More on the Demolition Review Amendment
The Demolition Review Amendment Gains Coinage in t...
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Fitch Pitches
A Poor Player
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Doric Wilson
Eco Theater
Everything I Know I Learned from Musicals
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Flyover: Art in the American Outback
Fortress of Jason Grote
Full Force Theater Musings
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Gladwell.com
In the Theater of One World
In the Wings
Interchanging Idioms
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Jeremy's Greenroom
Just Shows to Go You
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Lies Like Truth
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On Chicago Theatre
On Theatre and Politics
One NYC Stagehand
Parachute of a Playwright
Perfecting Our Union
Playwrights Foundation
Punch 59 Comedy Blog
Queens Crap
R.B. Ripley's Ripped
Rat Sass
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Red, White and Blog
Reflections in the Light
Resources for Emerging Arts Leaders
Sasha Dichter's Blog
Save Marx Brothers Place
Scrappy Jack's
Sheila Callaghan's Blog
Show Showdown
Silicon Alley Insider
Slow Learner
So What's Your Point?
Splattworks
Stage Matters
Steve on Broadway
Stolen Chair Theatre Co.
Storefront Rebellion
Superfluities Redux
Thank You! Next?
That Sounds Cool
The Critical Condition
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The Playgoer
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Theatre, Culture, Politics & Stuff I Like
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What's Good/What Blows in New York Theatre
Clyde Fitch?
Leonard Jacobs
View my complete profile
Thursday, July 31, 2008
Should This Be An Ad?
Seems to me the answer is obvious.
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